Saturday, December 15, 2012

December 16


Madonna and Child c. 1340-45, by Pinacoteca di Brera, Milan


A Hymn to the Virgin
Anonymous, c. 1300, with music by Benjamin Britten
performed by The Choir of Trinity College, Cambridge

Of on that is so fayr and bright
Velut maris stella,
Brighter than the day is light,
Parens et puella:
Ic crie to the, thou see to me,
Levedy, preye thi Sone for me,
Tam pia,
That ic mote come to thee
Maria.
Al this world was for-lore
Eva peccatrice,
Tyl our Lord was y-bore
De te genetrice.
With ave it went away
Thuster nyth and comz the day
Salutis;
The welle springeth ut of the,
Virtutis.
Levedy, flour of alle thing,
Rose sine spina,
Thu bere Jhesu, hevene king,
Gratia divina:
Of alle thu ber'st the pris,
Levedy, quene of paradys
Electa:
Mayde milde, moder es
Effecta.

Several years ago, I was very fortunate to have been contacted by a lovely lady who had been reading my blog, and listening to the Christmas carols. We enjoyed a lively correspondence that Christmas, and I was so delighted by her writing, her warmth and good counsel.

One particular day, she wrote something that struck a deep chord in me. We had been discussing motherhood, and the challenges we both face. She said that she had suddenly realized that as women,"WE create Christmas. Even in tough times. It's up to us."

She is so right. It is up to us. That is how Christmas began, after all:   With a new mother, just doing the very best she could, in the circumstances she found herself with... Trying to be a good woman, against all odds. Just like us.

Hence, the choice of carol today, the "Hymn to the Virgin". A beautiful, thirteenth-century verse, dedicated to an extraordinary woman, devoted wife and loving mother, who did the very best she could, for her child, and for her family, on that first Christmas Night.

Friday, December 14, 2012

December 15


"True"
performed by Sara Groves


Thursday, December 13, 2012

December 14

Stained Glass Window by Herbert William Bryans
at St Andrew's Church, Holt, Norfolk.


The Holy Boy
music by John Ireland, poem by Herbert S. Brown
performed by The Cambridge Singers,
and also by pianist Eric Parkin


Lowly, laid in a manger,
With oxen brooding nigh,
The Heav’nly Babe is lying
His Maiden Mother by.

Lo! the wayfaring sages,
Who journey’d far through the wild,
Now worship, silent, adoring,
The Boy, The Heav’nly Child –
The Heav’nly Child!

Leave your work and your play-time,
And kneel in homage and prayer.
The Prince of Love is smiling
Asleep in His cradle there!

Bend your heart to the wonder,
The Birth, the Mystery mild,
And worship, silent, adoring,
The Boy, The Heav’nly Child –
The Heav’nly Child!

Dim the light of the lantern,
And bare the mean abode,
Yet gold and myrrh and incense,
Proclaim the Son of God.

Lowly, laid in a manger,
By Virgin undefiled,
Come worship, silent, adoring,
The boy, The Heav’nly Child –
The Heav’nly Child!


John Ireland was born in 1879, to parents who were cultured and "literary". Indeed, they were friends with many influential writers of the day, including Ralph Waldo Emerson. Sadly, Ireland was orphaned at the age of 14, when both of his parents died within just a few months of one another. Luckily, he had found music by this point in his early life, and was able to continue his studies at the newly-established Royal College of Music in London. He concentrated on piano and organ, with a focus on composition, under the tutelage of Sir Charles Stanford, who taught many of the English composers who emerged at the end of the 19th century: Ralph Vaughan Williams, Gustav Holst, Herbert Howells, George Butterworth, and many others.

Ireland seems to have been extremely hard on himself during his early years of composition: he destroyed almost every work that he wrote during his youth, and very little remains of his "juvenilia". However, near the end of The Great War, he became an overnight sensation when his Violin Sonata No.2 in A minor was extremely well received by audiences and critics. From then until his death in 1962, he worked as a composer and teacher at the Royal College of Music, where his students included Benjamin Britten and E. J. Moeran. One of my great-uncles also had the privilege of Ireland's teaching, and remained a devotee of his music and influence for the rest of his long life. John Ireland also served as organist and choirmaster at St. Luke's Church, Chelsea, in London.

Ireland's work has often been described as "musical impressionism". He tended away from writing heavier works for full orchestras- he never wrote a symphony- and preferred writing chamber music, and works for voice and piano. He was very strongly influenced by British poetry, and set the writings of A. E. Housman, Thomas Hardy, Christina Rossetti, John Masefield and Rupert Brooke to music. He also dearly loved the English countryside, and eventually settled in a converted windmill in Sussex, where he died on 12th June 1962.

The Holy Boy is perhaps one of John Ireland's best-known works, and it has been arranged for voice, choir, piano, and string orchestra. I also have a great fondness for his hymn, My Song is Love Unknown, composed in 1918, for lyrics written in 1664 by Samuel Crossman.

My great-uncle
My very favourite piece, however, is The Towing Path, which was the first of John Ireland's music that I ever heard played. I was about nine years old when my very elderly great-uncle (who had been Ireland's pupil at the Royal College of Music) came to Canada with my grandmother for a visit. He brought a suitcase-full of sheet music with him, as he had heard that my mother was a gifted pianist. He must have been impressed by my mother's skill and interest in music, as he gave her copies of many of the pieces that she had admired before he left.

Whenever I hear Ireland's music, I am reminded of my great-uncle: a tall, foreboding looking gentleman, who was, in fact, soft-spoken, and possessed the gentle soul of a gifted artist.

Wednesday, December 12, 2012

December 13


"Sunset at Riefel", taken by one of my dearest friends,
Sandra Fiedler, of S.m.united photography.
You can see more of her work on her amazing facebook page.


Saw You Never in the Twilight
performed by Musica Sacra,
words by Cecil Frances Humphreys Alexander, 1853

Saw you never, in the twilight, 
when the sun had left the skies,
Up in heaven the clear stars shining 
through the gloom, like silver eyes?
So of old the wise men, watching, 
saw a little stranger star,
And they knew the King was given, 
and they followed it from afar.

Heard you never of the story 
how they crossed the desert wild,
Journeyed on by plain and mountain, 
till they found the holy Child?
How they opened all their treasure, 
kneeling to that infant King;
Gave the gold and fragrant incense, 
gave the myrrh in offering?

Know ye not that lowly Baby 
was the bright and morning Star?
He Who came to light the Gentiles, 
and the darkened isles afar?
And we, too, may seek His cradle; 
there our hearts' best treasures bring;
Love, and faith, and true devotion 
for our Savior, God and King.


Cecil Frances Humphreys Alexander was born in Redcross, County Wicklow, Ireland in 1818, and died in Londonderry in 1895.  Her husband was William Alexander, bishop of Derry and Raphoe, and later the Anglican primate for Ireland.  

She was the founder of the Girls' Friendly Society in Londonderry, and along with her sister, established a school for the deaf.

Humphreys Alexander wrote about 400 hymns in her lifetime, including the lyrics for one of my favourite pieces, "All Things Bright and Beautiful".

Tuesday, December 11, 2012

December 12

The flight to the North Pole

"We're Walking in the Air"
performed by The King's Singers,
from the movie based upon Raymond Brigg's
"The Snowman"

I showed this beautiful film to my special education students last week.  I chose it, not simply because of the wonderful story of a child being swept off to the North Pole by a magical snowman...  but because the tale is told without any dialogue or narrative whatsoever.  The only accompaniment to the animation is music, which creates a perfect sound-scape.

Children who might not normally have had the ability to focus their attention, much less retain specific information, were completely mesmerized by it.  I sat, amazed, as they whispered predictions about "what would happen next..." to each other as the story progressed.  

The experience reinforced my belief that music is simply another language, and sometimes far more effective at communicating meaning than the written, or even the spoken word.

Monday, December 10, 2012

December 11

The beautiful "fan" ceiling of King's College Chapel, Cambridge

"The Fayrfax Carol"

A Tudor manuscript, set to music for
the 1997 "Festival of Nine Lessons and Carols"
by Thomas Adès, and performed by
The Choir of King's College, Cambridge.
'A, my dere, a, my dere Son,'
    Seyd Mary, 'A, my dere;
    A, my dere, a, my dere Son,'
    Seyd Mary, 'A, my dere;
Kys thy moder, Jhesu,
Kys thi moder, Jhesu,
    With a lawghyng chere.'
This endurs nyght
I sawe a syght
    All in my slepe:
Mary, that may,
She sang lullay
    And sore did wepe.
To kepe she sought
Full fast aboute
    Her Son from colde;
Joseph seyd, 'Wiff,
My joy, my lyff,
    Say what ye wolde.'
'Nothyng, my spowse,
Is in this howse

    Vnto my pay ;
My Son, a Kyng
That made all thyng,
    Lyth in hay.'
    'My moder dere,
Amend your chere,
    And now be still;

Thus for to lye,
It is sothely
    My Fadirs will.
Derision,
Gret passion
    Infynytly, infynytely,
As it is fownd,
Many a wownd
    Suffyr shall I.
On Caluery,
That is so hye,
    Ther shall I be,
Man to restore,
Naylid full sore
    Vppon a tre.'

Very seldom do I have the pleasure of researching a carol, and coming across the kind of intelligent and in-depth analysis that can be found at the blog 5:4, which is written by Simon Cummings, a composer based in the Cotswolds.  A lover of contemporary music, Cummings describes the pieces he chooses to review as "...the most beautiful ugly sound in the world."  Truly, I could not have put my initial feelings about The Fayrfax Carol into any better words than that.  The first time I laid ears on it, I couldn't decide whether it was troubling or transfixing...  It turned out, upon reading through the lyrics, that I wasn't far off of the mark in either respect.

Writes Mr. Cummings:

"The text describes a dream featuring the Holy Family.  The recurring refrain, as spoken by Mary, is a touching lullaby to her son, but this is interspersed with some terse comments between Mary and Joseph.  Mary's feelings are ambivalent--  "She sang lullay/And sore did wepe"-- and she seems to find the context in which her son (no less than "a Kyng/ That made all thyng") has been brought into the world to be unfitting of his status.  Yet the infant himself intercedes, imploring his mother to "Amend your chere", explaining that not only is it his Father's will, but that he is destined for very much worse, remarkably described as "Derision,/ Gret passion/ Infynytly, infynytely".  The child's words end with clarification, that his dreadful end will achieve something utterly triumphant:  "Man to restore".

Ades subjects these words to an immensely subtle treatment, emphasizing their simplicity but colouring them with piquant harmonic shifts that gently sour the sweetness.  The main verses are, initially at least, set to a light, even playfully up-beat triple metre:  the words pass by quickly, their narration only pausing at poignant cadential points, emphasizing the cold, Mary's dissatisfaction and the humility of Jesus lying in the hay, mentioned before.  The latter portion of the text, Jesus' rebuttal/rebuke, at first continues in a similar vein (with a prominent solo treble) but almost immediately breaks down-- its rhythms destroyed and the harmonies completely askew-- at the description of the crucifixion.  Some ebullience returns at the mention of humanity's restoration, but that too is dissipated in the final lines.  At each end and at the centre of the piece is the refrain, Mary's lullaby, which becomes slower and more texturally thin at each appearance.  The final refrain bears practically no resemblance to its predecessors  the rich opening tutti dissolving into a tear-stained coda, the words "lawghyng chere" sounding utterly hollow."

Sunday, December 9, 2012

December 10


For us Monday Grouches everywhere...

"I Hate Christmas"
performed by Oscar the Grouch

Saturday, December 8, 2012

December 9


Rembrandt Harmensz. van Rijn 1606 – 1669
The Adoration of the Shepherds (1646)


"The Shepherd's Farewell"
from Part II of L'enfance du Christ, Op.25
by Hector Berlioz,
performed by the City of London Symphonia
and The Cambridge Singers

Thou must leave thy lowly dwelling,
The humble crib, the stable bare.
Babe, all mortal babes excelling,
Content our earthly lot to share.
Loving father, Loving mother,
Shelter thee with tender care!

Blessed Jesus, we implore thee
With humble love and holy fear.
In the land that lies before thee,
Forget not us who linger here!
May the shepherd's lowly calling,
Ever to thy heart be dear!

Blest are ye beyond all measure,
Thou happy father, mother mild!
Guard ye well your heav'nly treasure,
The Prince of Peace, The Holy Child!
God go with you, God protect you,
Guide you safely through the wild!

Hector Berlioz’s oratorio, "L’enfance du Christ" (The Infancy of Christ) is described as a "sacred trilogy", and tells the story of the birth of Jesus and the journey of the Holy Family as they escape Bethlehem and head across Egypt to the city of Sais. It began as an organ piece composed for Berlioz's friend, Joseph-Louis Duc, called "L'adieu des bergers", and gradually evolved into the larger choral work, for which Berlioz also wrote the words. The first of its three sections depicts King Herod ordering the massacre of all newborn children in Judaea; the second shows the Holy Family of Mary, Joseph and Jesus setting out for Egypt to avoid the slaughter, having been warned by angels; and the final section portrays their arrival in the Egyptian town of Sais where they are given refuge by a family of Ishmaelites.

Berlioz's music was usually received with great hostility by Parisian audiences and critics, who generally accused it of being bizarre and discordant. And so, the composer had the chorus performed as a hoax on 12 November 1850, passing it off as the work of an imaginary 17th-century composer "Ducré". He was gratified to discover many people who hated his music were taken in and praised it, one lady even going so far as to say, "Berlioz would never be able to write a tune as simple and charming as this little piece by old Ducré".

December 8



"O Christmas Tree"
played by Canada's very own
Oscar Peterson

"...I have to do quite a bit of trimming
for it's Christmas Eve tonight
trim trinkles and drinkles and sklinkles of glass
Trim everything in sight.

We hang everything on our Christmas tree
Ornaments big and bright
and all of these sparkling icicles
and twirling balls of white.

I always hang a star on top
with angels in between
Here's how many lights we have--
Thirty-seven and sixteen...

Then I must lie down and smell the pine
and gaze at the Christmas star
Perchance to feel in these piney pine needles
just where
my presents are..."

--excerpt from "Eloise at Christmastime", by Kay Thompson
illustrated by the ingenious Hilary Knight

Thursday, December 6, 2012

December 7


The ceiling of Bell Harry tower, at Canterbury Cathedral

"Carol of the Bells"
performed by The St. Olaf Choir

Hark how the bells,
sweet silver bells,
all seem to say,
throw cares away

Christmas is here,
bringing good cheer,
to young and old,
meek and the bold,

Ding dong ding dong
that is their song
with joyful ring
all caroling

One seems to hear
words of good cheer
from everywhere
filling the air

Oh how they pound,
raising the sound,
o'er hill and dale,
telling their tale,

Gaily they ring
while people sing
songs of good cheer,
Christmas is here,

Merry, merry, merry, merry Christmas,
Merry, merry, merry, merry Christmas,

On on they send,
on without end,
their joyful tone
to every home

Ding dong ding ding... dong!


"Carol of the Bells" (also known as the "Ukrainian Bell Carol") is a Christmas carol adapted from the Ukrainian "Shchedryk" by Mykola Dmytrovych Leontovych, which was first performed in December 1916 by students at Kiev University.

"Shchedryk" tells the tale of a swallow flying into a household to proclaim the plentiful year that the family will have. The title is derived from the Ukrainian word for "bountiful." In the Ukraine, the song is sung on the eve of the Julian New Year.

The English language lyrics were written in 1936 by Peter Wilhousky. The song reminded Wilhousky of beautiful ringing bells, and he captured that imagery in his lyrics.

Wednesday, December 5, 2012

December 6

Madonna and Child circa 1827-30, by William Dyce

"A Maiden Most Gentle"
trad. French, arranged by Andrew Carter
performed by The Choir of King's College, Cambridge

A maiden most gentle and tender we sing,
Of Mary the mother of Jesus our King.
Ave Maria

How bless’d is the birth of her heavenly child,
Who came to redeem us in Mary so mild.
Ave Maria

The archangel Gabriel foretold by his call,
The Lord of creation and Saviour of all.
Ave Maria

Three kings came to worship with gifts rich and rare,
And marvelled in awe at the babe in her care.
Ave Maria

Rejoice and be glad at this Christmas we pray,
Sing praise to the Saviour sing end-less.
Ave Maria

Tuesday, December 4, 2012

December 5


"The Nativity at Night" 
by Geertgen tot Sint Jans, about 1490

Sweet Little Jesus Boy

Words and Music by Robert MacGimsey (1898–1979),
and performed by Jessye Norman

Sweet little Jesus Boy
They made You be born in a manger
Sweet little Holy child
Didn't know who You was.

Didn't know You'd come to save us, Lord
To take our sins away.
Our eyes was blind;
We couldn't see
We didn't know who You was.

Long time ago You was born
Born in a manger low,
Sweet little Jesus Boy.

The world treat You mean Lord,
Treat me mean too.
But that's how things is down here,
we didn't know t'was You.

You done showed us how,
we is trying.
Master, You done showed us how,
even when you's dying.

Just seem like we can't do right,
look how we treated You.
But please, Sir, forgive us Lord;
We didn't know 'twas You.

Sweet little Jesus Boy
Born long time ago,
Sweet little Holy child
And we didn't know who You was.


Robert MacGimsey wrote this carol after walking past crowded speak-easies in New York City on Christmas Eve, 1932. Intended as an art song, it became one of many quasi-spirituals.

MacGimsey explained to Robin White in 1966, "This is not so much a song as just a meaning. You have to imagine an aging Negro standing off in the middle of a field just giving his heart to Jesus in the stillness."

"He was in the world, and the world was made by Him, 
and the world knew Him not.
He came unto His own,
and His own received Him not."

John 1:10-11

Monday, December 3, 2012

December 4



Remember, O Thou Man
by Thomas Ravenscroft (1592 -1635)
arranged by Bob Chilcott,
and performed by The Elora Festival Singers

Remember, O thou man,
O thou man, O thou man,
Remember O thou man,
Thy time is spent.

Remember, O thou man,
How thou cams't to me then,
And I did what I can,
Therefore repent.

Remember Adam's fall,
O thou man, O thou man!
Remember Adam's fall
From heaven to hell!

Remember Adam's fall,
How we were condemned all
To hell perpetual,
There for to dwell.

Remember God's goodness,
O thou man, O thou man!
Remember God's goodness,
And promise made!

Remember God's goodness,
How His only Son He sent
Our sins for to redress,
Be not afraid.

The angels all did sing,
O thou man, O thou man!
The angels all did sing,
On Sion hill.

The angels all did sing,
Praises to our glorious King,
And peace to man living,
With a good will!

The Shepherds amazed was,
O thou man, O thou man!
The Shepherds amazed was,
To hear the angels sing.

The Shepherds amazed was
How it should come to pass
That Christ our Messiah
Should be our King!

To Bethlehem did they go,
O thou man, O thou man!
The shepherds three;
O thou man, O thou man!

To Bethlehem did they go,
To see whether it were so,
Whether Christ were borne or no
To set man free.

As the Angels before did say,
O thou man, O thou man!
As the Angels before did say,
So it came to pass;

As the Angels before did say,
They found him wrapt in hay
In a manger, where he lay
So poor he was.

In Bethlehem he was born,
O thou man, O thou man!
In Bethlehem he was born,
For mankind's sake;

In Bethlehem he was born,
For us that were forlorn,
And therefore took no scorn
Our sins to bear.

In a manger laid he was,
O thou Man, O thou Man,
In a manger laid he was
At this time present.

In a manger laid he was,
Between an ox and an ass,
And all for our trespass,
Therefore repent.

Give thanks to God always,
O thou man, O thou man!
Give thanks to God always,
With heart most joyfully

Give thanks to God always,
Upon this blessed day,
Let all men sing and say:
'Holy, holy!'


Thomas Ravenscroft started his career as a chorister at Chichester Cathedral and then moved to London to serve in St. Paul’s Cathedral. It was an exciting time in London as the Theatres were hugely popular, showing plays by such noted playwrights as William Shakespeare. Ravenscroft grew to know many of the actors and writers of this era, and wrote music to accompany some of the plays that were produced at the Globe Theatre. Ravenscroft was also responsible for the preservation of the largest collection of popular vocal music which were published in Pammelia(1609), Deuteromalia(1609), and Melismata(1611). These songs had massive popular appeal and, as with the plays of the era, proved profitable for the Publishers. These works became some of the longest surviving collections of traditional English popular songs.

Several years ago, my brother was at the Advent Carol Service at St. John's Church in Elora, where he heard this beautiful, "blues-y" version of the carol, arranged by Bob Chilcott. He kindly sent me a recording, and I've been enraptured by it ever since.  Last year at this time, I posted Chilcott's beautiful setting of Christina Rossetti's poem, "In the Bleak Midwinter", which has become another one of my Christmas favourites.

Bob Chilcott is one of the most active composers and choral conductors in Britain today. He has been involved in choral music most of his life, and was once a chorister in The Choir of King’s College, Cambridge. He is quite well known for having sung the “Pie Jesu” on the renowned 1967 King’s recording of Faure’s Requiem, conducted by Sir David Willcocks. He returned to King’s as a Choral Scholar, and between 1985 and 1997 was a member of the British vocal group The King’s Singers. He has been a full-time composer since 1997.

Sunday, December 2, 2012

December 3


"A Christmas Carol"
from a live performance by the incomparable
Tom Lehrer

It's Monday, folks, so it's time to pull out the fun stuff!!  

(I'm starting a new job today, and quite frankly, I needed the laugh...)


"Actually, I did rather well, myself, this past Christmas...
The nicest gift I received was a gift certificate good at any hospital
for a lobotomy...  Rather thoughtful."

--Tom Lehrer

Saturday, December 1, 2012

December 2

The Seven Joys of Mary, 15th Century German altarpiece

Joys Seven
Arranged by Stephen Cleobury, and performed by
The Choir of King's College, Cambridge,
and also by the band Great Big Sea,
from Newfoundland and Labrador, Canada

The first good joy that Mary had,
It was the joy of one;
To see the blessed Jesus Christ
When He was first her son:

When He was first her son, good man;
And blessed may He be,
Both Father, Son, and Holy Ghost,
To all eternity.

The next good joy that Mary had,
It was the joy of two;
To see her own son, Jesus Christ
To make the lame to go:

The next good joy that Mary had,
It was the joy of three;
To see her own son, Jesus Christ,
To make the blind to see:

The next good joy that Mary had,
It was the joy of four;
To see her own son, Jesus Christ,
To read the Bible o'er:

The next good joy that Mary had,
It was the joy of five;
To see her own son, Jesus Christ
To bring the dead alive:

The next good joy that Mary had,
It was the joy of six,
To see her own son, Jesus Christ
Upon the crucifix:

The next good joy that Mary had,
It was the joy of seven;
To see her own son, Jesus Christ
To wear the crown of Heaven:

"Joys Seven" fits very nicely into the group of "counting carols", of which there are too many to count, quite frankly (one of my least favourites being "The Twelve Days of Christmas".  No matter how interesting the meanings of the various symbols may be, that tune is just done to death.  UGH.)

The number seven has traditionally been recognized by the Franciscan religious order.  In 1422, a young man  named James observed a daily ritual of bringing a crown of flowers to a statue of the Blessed Virgin.  He entered a friary, but considered leaving when he discovered that his new situation prevented him from accessing fresh flowers.  Mary appeared to him and told him to stay in the friary, and to daily weave a crown that would be more pleasing to her.  She taught him to pray the Seraphic Rosary, which consists of seven decades in honour of her seven joys.  This rosary is now known as the Franciscan Crown.

This particular carol has ancient Medieval origins, and boasts several different versions:  The Joys of Mary vary greatly, and are counted as being anywhere between five and fifteen!  The various rhymes are all easy to remember in association with each number, and would have given Christians an effective, accessible way to learn the stories of the Gospels.  It is set to a jolly air, which can be found in the 1871 printing of Bramley and Stainer's book of carols.  One can even imagine children singing it as they trudged along on their way to Sunday school...  Indeed, W. J. Phillips recalls in his work, "Carols" (1890), a story where unemployed men tramped along with shovels through the London snow singing to the tune, "We've got no work to do-oo-oo!"  We think times are tough now, and they most certainly were then, back in 1850.

A song of Everyman, this!  And so, I have also included a Canadian folk version, sung by one of my favourite East Coast bands, Great Big Sea.

Friday, November 30, 2012

December 1

"Happy Christmas", by Viggo Johansen


"The Candlelight Carol"
by John Rutter, and performed by The Cambridge Singers

How do you capture the wind on the water?
How do you count all the stars in the sky?
How can you measure the love of a mother,
Or how can you write down a baby's first cry?
Candlelight, angel light, firelight and star glow
Shine on His cradle till breaking of dawn,
Gloria, gloria in excelsis Deo!
Angels are singing; the Christ Child is born.

Shepherds and wise men will kneel and adore Him,
Seraphim round him their vigil will keep;
Nations proclaim Him their Lord and their Savior,
But Mary will hold Him and sing Him to sleep.
Candlelight, angel light, firelight and star glow
Shine on His cradle till breaking of dawn,
Gloria, gloria in excelsis Deo!
Angels are singing; the Christ Child is born.

Find Him at Bethlehem laid in a manger:
Christ our Redeemer asleep in the hay.
Godhead incarnate and hope for salvation:
A child with his mother that first Christmas Day.
Candlelight, angel light, firelight and star glow
Shine on His cradle till breaking of dawn,
Gloria, gloria in excelsis Deo!
Angels are singing; the Christ Child is born.

One more sleep...


Can you believe it??  One more sleep till December...

And, every December for the past five years, what we have traditionally done here at "I Can Fly, Just Not Up" is turn the blog into a Musical Advent Calendar, to help lead us towards Christmas.

Well, here we go again, folks!

For year six, what I've decided to do is look back at the music we've shared over the past half-decade, and re-visit some of the pieces that I've particularly enjoyed.  It's been such a pleasure to hunt through the archives, and listen to selections that I haven't had the opportunity to hear for a long while.  In so doing, I've also come across a few new gems that we haven't had here before.  So, every so often, I'll include one of those in the mix!

I hope you'll join me every day, and give yourself the opportunity to step away from the hustle-and-bustle and general whirl-windiness of this, the busiest of seasons.  There is so much more to Christmas than what we are bombarded with in the media, and experience in crowded shopping centres...  With all of our overly-scheduled daily lives, it's so necessary to be conscious of taking time out for ourselves on a regular basis, to relax, reflect, and re-adjust our mindset.

I hope your daily visits here this month will help you do just that.

See you in the morning!

xoxo CGF

Tuesday, November 20, 2012

Bleeding Hearts

 Dicentra spectabilis, "Bleeding Hearts"

When I was a little girl, I was blessed with two wonderful grandmothers.  One was a tiny, dignified Scottish lady-- the strongest, hardest-working woman I will ever know, and ferociously loving matriarch of my mother's people.  The other was a grand old English Grannie, complete with the top-knot of silvery hair, and a gift for manufacturing crystal bowls full of jammy trifle.

Both of these women spent painstaking hours teaching me to knit.  And, for that,  as you are well aware, I shall be eternally grateful.

But, the fact was that they both lived terribly far away.  They visited us as often as they could, and we them...  We wrote long letters to one another (remember those folded blue aer-o-grams you could purchase for a flat rate??  We kept the post office afloat for years...).  We talked on the phone, in spite of the alarmingly high long distance rates.  Dad stood by with a stop-watch in a vain attempt to reign in our relentless chatter, while we happily ignored him.  I even have a series of cassette tapes that my mother and grandmother recorded and sent to one another over the years, each telling the other about their daily lives and events.  My mother's end is, of course, interrupted at regular intervals with the sounds of violent crashing, the wailing of small children, and a hefty dose of tattle-tale-itis.  My grandmother gave me the tapes before she died, and I'm so grateful to have the gift of the sound of her voice all these years later.

Women miss their mothers after they've left home, but I think the time we miss them the most is after we've had children of our own.  Not only do we need the loving guidance of someone more experienced with babies (they raised US, after all), we actually need mothering, ourselves.  We need the person whom we trust most, and who knows us better than anyone else in the world.  We need them to bolster us up, and tell us that they BELIEVE in us:  that we are, truly, fit to be somebody else's mother, and that in time, everything will be all right.

My mum had three tiny children under the age of five for several years, and I'm sure that to her, it must have felt like a whole heck of a lot longer than that.  Those were the days before disposable diapers...  Come to think of it, I believe those enormous wads of paper and plastic had just appeared on the market in time for the birth of my youngest sibling.  And not a moment too soon, no doubt.

By the time my little sister arrived on the scene, my mother was completely exhausted from roaring after the two-and-a-half year old terror that was me, and my younger brother, who was at that horrifying toddler stage where every move he made seemed like a potential suicide attempt.  My mum not only had to keep us from killing ourselves, but also from killing one another.  Nothing like two squabbling kids to make nursing the brand-new baby a little more pleasant.

With her own mother thousands of miles away, and her husband a round-the-clock country physician, it's a wonder my mum didn't lose her mind entirely.

Thankfully, it was at this precise moment that God decided to put his hand down to us, and give us a miracle.

That miracle appeared at our front door in the form of a Red Cross Nurse, whom my father had called for, in an attempt to give my mother a break for three weeks.

She wore the traditional blue uniform with the red-and-white crest embroidered on one shoulder, sturdy support hose, and stout white shoes that made no noise whatsoever when she crossed the kitchen floor.  She was round and soft, with a fluff of curly brown hair, and a huge smile that would spread right across her face and dimple her ample cheeks.  Her belly laugh was positively contagious-- and she laughed often, usually accompanying her mirth by giving one of us kids a bone-crunching squeeze and a kiss on the cheek.

When she looked at us and loudly announced that we were "going to have a PARTY!!", we knew that she was magic.

She thought we were hilarious.

It was my tiny brother who gave her the name that stuck with her in our family forever.  Just learning to speak, he looked at her fondly one day and called her "Tekker".

Spriglerle
Tekker came for three weeks, and stayed for three years.  Stayed in our house, that is.  She stayed in our lives and our hearts for far longer than that.  After she stopped working and playing with us on a daily basis, she was a steadfast family friend; our adopted grandmother.  She had us over to her house, and visited ours regularly.  Every Christmas, she'd arrive with an enormous load of her famous baking:  shortbread with tiny coloured sprinkles, which were absolutely melt-in-your-mouth delicious, and a box of the strangest, stiffest, white German cookies that had been intricately patterned in a series of antique presses.  They were made with anise, and were, to our little minds, completely inedible.  They would, we thought, have made beautiful bathroom tiles, however.  (I now know these cookies to be "springerle", and appreciate them for the masterpieces that they were.)

She was the proud wife of the local Lutheran pastor, and raised two fine sons, who became my little brother's heroes.  To avoid the risk of us three becoming complete heathens, she often gifted us religiously-themed books (the comic books depicting The Adventures of Jesus Christ were a particular favourite), and dragged us all off to her parish's Vacation Bible School for several weeks each summer.

She watched over us as we grew, a strong and loving presence in our lives.  She was with us for holidays, birthdays and celebrations.  She came to concerts and plays, graduations and weddings.  She was there to cuddle all of our brand new babies, and bolster up the second generation of mothers.

She always had a wise word, and a bone-creaking squeeze.  We were never in any doubt of how much she loved us.  And we loved her right back.

She was a genuinely devout woman:  she Walked the Walk.  She did a lot of good, not just for us, but for many, many others.  I remember her showing me a very special typewriter that she kept at her house.  I was not allowed to touch it, but was allowed to touch the thick paper she used in it, after she had finished with a page.  Each one was dotted with clusters of tiny bumps I could feel with my fingers--  that was the only Braille typewriter I have ever seen.  Tekker would spend many hours transcribing documents and entire books for the blind, and she began to teach me to read with my hands.

Another one of the skills she was famous for was her quilting.  The enormous wooden quilting frames were first set up for the ladies at her church to use.  Together, they spent many happy years collecting, sorting and cutting scraps into a wide variety of shapes, then carefully piecing them together.  I would dearly love to know how many hundreds of quilts the ladies created and donated to charity over the years.  Another happy result was that I was the recipient of dozens of bags of Tekker's quilting scraps, having just learned to sew, myself.  Tekker would laugh heartily, and say that she never imagined how anyone could make use of the scraps of other people's scraps...  but, I managed quite nicely, as I was intent on furnishing a doll's house.  My quilts boasted squares no bigger than a baby fingernail, and that fact pleased her to no end.

Once her husband retired from his parish, the frames were brought home from the church, and her industry was set up in the basement of her house.  It was there that she taught my mother the special running stitch that binds the multiple layers of a quilt and creates a delicate pattern, as they worked on a gift for my as-yet-unborn baby:  the very first grandchild in our family.

A "drunkard's path" quilt
After the death of her husband, Tekker kept ticking along, quilting, cooking, and tending to her garden and her friends.  Eventually, though, her own health gradually declined, and she was welcomed into a retirement facility where she received the care that she needed.  There, she had a room to herself, and the staff encouraged her to make use of one of the many common rooms to once again set up her quilting frames.  She continued to work away, and we continued to visit her.  Each time I took my girlies to see her, we would pour over her unique photograph albums:  they were filled with pictures of the quilts she had made over the years, in all their fine detail.  The one design that I'll never forget-- and one that I had the good fortune to admire in person, as well-- was called "Drunkard's Path", and the combination of colours and pattern produced an optical illusion that boggled the mind.  Photographs of her children and grandchildren were naturally thrown into the mix, as many of her later quilts were designed especially for them.

The last time I saw Tekker, she had asked that her quilting frames be taken down:  she had completed her final project.  The common room seemed so empty with only a jigsaw puzzle on a table, but the girlies and I dutifully put in a few pieces.  Tekker's conversation had always been punctuated with phrases like, "God willing!", spoken in her gentle Southern accent.  But this time, she seemed to take even more care in how she spoke, letting us know that she'd be able to do things "if The Lord saw fit" that she should still be with us.

She was happy to see us, sorry to see us go...  but I do think that in her heart, Tekker was tired, and she was getting ready to leave us.

Yesterday, as I began decorating my house for Christmas, Tekker's formidable spirit finally slipped away.  The gaping hole her absence leaves in our family can hardly be described...  and yet, I find it hard to actually feel sad.  She was such a Christian, in the most heart-warming sense of the word.  I know that she firmly believed that there IS a Heaven: a well-earned reward for all of the loving and giving she did while she was here with us.  I can picture her now, in my mind's eye, enjoying what she had been looking forward to for so very, very long.

The gathering of family and friends to celebrate her life is tomorrow, and I am certain that we will all mourn our loss.

But, more importantly:  we will all give thanks that we had the great good fortune to be mothered by the miracle that was our Tekker.

Missing you.

Monday, November 19, 2012

For future reference...


Note to self:

Remember this.

Putting the "CHRIST!!!" back in Christmas...


Okay, I SHOULDN'T feel this way about there being only five **gasp!** short weeks until Crazy Time...

But, this year, I do.

I'm not ready.

Not that I necessarily SHOULD be ready at this time of year.  It is still only November, after all.

But, this year is different.  I have a sense of urgency and panic that I haven't felt since the impending birth of one of my children.  This year, I feel like I have to do it ALL, and do it NOW, before it's too late, or I might never get anything done around here ever again.

In just over a week, I'm starting a new job.  It's a job that has me excited, yet absolutely terrified at the same time:  a junior/intermediate class of young boys with severe learning disabilities.  Yes, I've done this sort of thing before-- but in a much smaller classroom and far more intimate setting.  There has been more time for one-to-one, individualized attention for each student.  Lessons have been planned by modifying whatever has been going on in the main-stream classroom to which each child belongs.

What's more, I've never actually felt like "The One In Charge" before.  But, this time I most definitely will be:  these are children who do not thrive in main-stream classrooms.  These kids are going to be all mine.

What feels like the weight of the world is about to shift onto my shoulders.  I'm just praying that I'm ready to accept this overwhelming challenge.  Combine all of this with a union that is braced and ready to begin strike action, and I've got myself a fine kettle of fish.  I'm terrified that, in supporting my colleagues in their quest to preserve our education system, I won't be able to find the extra hours I so desperately need in order to do this job justice.  (I will, of course, but it sure won't be easy.)

Then, there's the issue of keeping body-and-soul together at home, during this, "The Most Wonderful Time of the Year".  Argh.  Every time I hear that phrase over the loudspeaker in the shops that have so abruptly become "Winter Wonderlands", I want to go screaming off into what's left of my rhubarb patch.

How on earth am I going to make Christmas this year???  Even when I was in university, classes stopped at least a week ahead of the Big Day, thus enabling me to cobble together something resembling a celebration.  This year, I'll be in classes right up until December 22, and I'm sure-as-shootin' not facing the mall on THAT weekend.

Today, I'm taking a day off of making my rounds of the public schools to begin shoveling out my house, and have grudgingly hauled the massive boxes and bags of Christmas decorations out of the basement.  I'll be swagging that garland up the banister, setting out all the twinkly lights...  and it all feels FAR too soon-- in spite of the fact that Santa Claus was sighted downtown at the big parade yesterday.  (I couldn't watch.)

Maybe if I put on some better music this morning, once the kids are all out of here and ensconced in school...

Maybe if I whip up a batch of shortbread, the smell of Christmas will kindle something within me that will help me to bear the sight of it...

I don't know, people.

But, there's one thing I DO know:

All of this is certainly helping me to put the "CHRIST!!!" back in Christmas.

Even if it is only November.

Sunday, November 18, 2012

Thursday, November 8, 2012

Truth.


"One good wish changes nothing.
One good decision changes everything."
--Anonymous

Wednesday, November 7, 2012

Thank you.


It was the right decision.  
Congratulations, America.

Tuesday, November 6, 2012

And now, we wait.


After everything my family has been through in the past five years, 
I must confess...

Even though I am a fiercely proud  Canadian, I would give almost ANYTHING to be permitted to vote in the U.S. election today.  

It cannot be fathomed how much the Economic Crisis, brought on my the gross mishandling of the previous administration, has affected the world:  in particular, MY little world.

It has taken every ounce of strength I possess to scrape my way back to some semblance of normalcy and stability, and the constant support of my family and dearest friends to see me Through.

Tonight, I pray that Americans realize what a tremendous responsibility they carry in casting their vote, and what a privilege they have in doing so.

The world is waiting.

Please, may they make the right decision.  Again.

Saturday, November 3, 2012

FINALLY. Sunshine!


Tuesday, October 30, 2012

Just when you thought it was safe...


...to go outside, the rain and the wind started.  AGAIN.

It was a long night of howling (the cats-- as well as the wind), and the sound of torrential downpour on the roof of this old heap we live in.

But, we've certainly fared FAR better than our neighbours to the south of The Border.  This "super storm" was NOTHING compared to what the good folks of the Eastern United States were dealt last night, and are still dealing with this morning.

Still, I look outside and see beautiful old trees that have come crashing down around my pond, toppled over right from the roots.  Confused, hysterical birds (who should definitely have started heading south ages ago) are twittering around my leaning tower of a birdfeeder, presumably exchanging their own disastrous news.

Only my statue of St Francis, whom we affectionately call "Frank", stands tall and calm in the centre of my garden, smirking beatifically and gesturing with one hand, as if to say, "For Pete's sake, just calm down, you lot...  this was NOTHING."

Yep, no plagues of locusts or torrents of toads (yet), so I consider us very, very lucky.

Still, I'm taking the day off today, due to power outages, general ickiness and malaise.  School kids and indoor recesses just do not mix well, and all that pent up energy, topped with the anticipation of Hallowe'en hijinks tomorrow, might just be the death of me.

I'm staying home to make soup, instead.

This recipe comes from one of my dearest friends, a born and bred Prairie Girl.  If anybody knows about weather and survival, it's her-- she's got one of the warmest hearts I know.


Potato, Bacon and Cheddar Soup for a Blustery Day

I swear, if Winnie-the-Pooh had known about this stuff, he'd have kicked his hunny habit easily.  Minus the bacon, however, for poor old Piglet's sake...

2 tbsp butter
1 onion (minced)
2 cloves of garlic (chopped very finely or pressed)
5 medium Yukon Gold potatoes, peeled and diced
2 c chicken stock, plus perhaps a little more if the soup seems too thick
1/4 tsp dried thyme
2 tsp freshly ground black pepper
2 c milk (I use 1%, but homogenized is definitely best)
salt to taste
About 10 rashers of good bacon
1 c old cheddar cheese, shredded (at the very least...  more, if you like)
2 tbsp chopped parsley

Melt the butter in a large soup pot, and add the onion.  Cook the onion slowly over low heat, until translucent.  Then, add the garlic and stir to combine the flavours.

Add the chicken stock, and once the mixture comes to a boil, add the diced potatoes and thyme.  Cover the pot, reduce the heat and simmer slowly, until the potatoes are very tender.

While the potatoes are cooking, fry up the bacon rashers in a frying pan.  Cook until very crispy (at least, that's the way I like it), and then place the bacon on a plate covered in paper towel, to absorb the excess fat.    Once the bacon is cool, take a large knife and chop it into small pieces.  Throw the pieces into the soup pot to simmer with the potatoes.

Once the potatoes are cooked, take a potato masher and squash those suckers up.  For those who prefer their soup more finely pureed, use a mixer or food processor to blizz out the lumps.  We like our soup to have a bit more texture than that-- especially the bacon pieces, which release a nice burst of flavour when you get a bite of one!

Add the 2 c of milk very slowly, to avoid curdling.  Heat the soup through, stirring constantly.  Once heated, add the shredded cheese, and continue stirring until all the ingredients are nicely combined.  Now is the time to give it a taste, and adjust the seasoning with salt and pepper.  Add a bit more chicken stock if the soup seems too thick to you.

Ladle the soup into great big bowls, sprinkle with parsley, and share with the people you love best.

Monday, October 29, 2012

Everyone knows it's WINDY.


Hurricane Sandy...  heading our way...

Wise advice for today from comedian Ron White:

"There was a guy down in Florida who said that, at the age of 53 years old, he was in good enough physical condition to withstand the wind, rain and hail of a force-3 hurricane.  

Now, let me explain something to you:  

It isn't THAT the wind is blowing...  

It's WHAT the wind is blowing.

If you get hit by a Volvo...
 it doesn't matter how many sit-ups you did that morning."

Monday, October 22, 2012

If only it were so...


...I might just be able to watch tonight.

Right here behind you, Mr. Obama...  With you every step of the way.

 
Web Analytics