Thursday, October 6, 2011
Thursday, May 26, 2011
The Swing Coat
Oh, I'm so happy that this project is finally done... just in time for the last of the cool spring rain and fog! I've been knitting away (slowly) at this beautiful Diamond merino since last September, and in spite of the endless garter stitching and careful counting, I am SO glad I stuck with it. Now I match the lilac bush at the bottom of the garden, to boot.
My list of UFOs (un-finished objects) is steadily shrinking... and family and friends have several new pieces to wear and enjoy. Currently, I'm still working away at the hot pink bolero, and have picked up two new projects: a ripple scarf made of lightweight ribbon, and a short-sleeved cotton pull-over in a beautiful pastel stripe... Let's just see if I can get THOSE finished before Christmas, shall we???!
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Thursday, May 19, 2011
This is the Day

This Is The Day
composed for The Royal Wedding, by John Rutter,
This is the day, the day which the Lord hath made,
We will rejoice and be glad in it.
This is the day, the day which the Lord hath made,
We will rejoice and be glad in it.
This is the day.
O praise the Lord of Heaven,
Praise Him in the highest!
Praise Him all ye angels of His,
Praise Him all ye souls!
Praise Him sun and moon,
Praise Him all ye stars and light!
Let them praise the name of the Lord.
For he shall give his angels charge over thee,
To keep thee in all thy ways.
The Lord Himself is my keeper,
The Lord is my defense upon my right hand,
So that the sun shall not hurt thee by day,
Neither the moon by night.
The Lord shall preserve thee from all evil,
Yea, it is even He that shall keep thy soul.
The Lord shall preserve thy going out and thy coming in
From this time forth, forever more.
He shall defend thee under his wings.
And He shall comfort thine heart.
In Whom shall I trust?
I trust in the Lord.
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Wednesday, May 18, 2011
Drears.
Would you believe that while making my rounds of the blog-o-sphere, "DREARS" was the little code word I was required to type in order to make a comment on my own blog this morning??
Fitting, I must say.
For dear readers, it has been RAINING here. With a vengeance. Heck, I think that even VANCOUVER has had it better in the weather department than we have had here, in my little corner of Ontario.
I complain... while being mindful that in a matter of just a few short weeks, I expect that my garden will be overheated and parched, baking under a summer sun. My rain barrel will likely be empty by then, and I'll be lying on the crunchy, brown grass out back, straining up at the sky in the hopes of seeing one fluffy, promising little cloud.
I only wish that I could send some of our current weather conditions over to the good people of Northern Alberta this week... There, wildfires burn out of control, destroying everything in their path. While evacuees are apparently safe in shelters, I can only imagine the anxious agony they are feeling today, as they await news of whether they have any homes to return to. Several summers ago, I had the good fortune to be the guest of one of my best friend's parents at their beautiful log home, three hours north of Edmonton. The area is one of the best kept secrets in our country-- it was nothing short of heaven to relax for ten days with some of the finest people of my acquaintance, in the beautiful lake district, at the enormous log cabin and garden that they designed and built themselves. Today, I'm praying for them, as eighty forest firefighters depart Ontario to join the team battling the blazes out West.

Last fall, I spent the first two weeks of September teaching myself the art of upholstery, in order to ease the pang

I've also managed to sew a new cover for my old futon, which is a sofa/bed that I bought twenty five years ago, and is still so comfortable to relax and sleep on, I can't bring myself to part with it. Once again, the fabric store in Stratford held a treasure in the form of this mill-end of fabric. The finished effect is quite satisfactory, and the sitting area is now nearly complete.
This week, new curtains and cushions are running off of my ancient Janome sewing machine. I've spray painted old lamps, and made them seem new again. And best of all, the art work I'm using for the walls has all come from my own camera-- every photograph holds a family memory. They are all framed in black (inexpensively purchased at Walmart and Michael's craft store), and arranged in groups, so that viewers can sit or stand and gaze at them for as long as they like. Over the years, it has been so easy to snap literally thousands of photos, and then download them onto a hard drive. As a result, my photos have been filed away, seldom printed, and almost never viewed. It has been very rewarding to spend chunks of these rainy days poring over these memories, and seeing the happy development of my girlies. Now, the best of the bunch are finally up on the walls for all to see.
The downstairs hallway and the game room are fresh and bright and comfortable... If this rain keeps up much longer, I'm going to be forced to face the final fronteer in this house: the guest bedroom, which doubles as my craft and fabric storage area. Yeek. It desperately needs a good cleaning and sorting-out... But, hopefully THAT can wait until the dog days of summer are upon us, and it's just too darned hot to go outside.

But for now, I will continue to fiddle with fabric and pins, the hum of the sewing machine will join the music of the rain on the roof, and the purring of contented cats.
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Thursday, April 28, 2011
On the Wedding Eve...
Tonight, I am snuggling up in my childhood home, with my own three daughters. We've got the breakfast all laid out, and the tea kettle filled with water, as it will be an ungodly hour at which we will be arising to watch, to listen, and to make a new memory.
With everything in me, I'm hoping and praying that THIS time, the pomp and circumstance will be followed by a true marriage-- one of mutual respect, support, genuine affection, and fidelity. I want the world to see that this is possible, as another beautiful Cinderella once sang.
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Monday, March 28, 2011
Spring cleaning. Part 1
It's that itchy time of year again.




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Tuesday, March 22, 2011
Post of shame.
-a lovely, wavy ribbon-scarf for my mum. It's a birthday present, so SSSSSHHHH. Her birthday's this weekend, so it's a good thing this one is only 6 stitches long, and goes quickly. She's going to look fantastic in it.
-socks. I need some. Great for pulling out of my purse and knitting while waiting in loooong grocery line-ups, traffic jams and doctors' offices. Also perfect for hiding under the table during interminable meetings at school.
-a cotton shrug. I bought this kit, and my best-knitterly-friend bought one, too. We had a race to see who would finish first. Guess who lost?
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Monday, March 21, 2011
March "Break".
Well, it's Monday.

Instead, today, I accomplished what I have long thought would be impossible: I completed and submitted the final, mammoth assignment that will (hopefully!) qualify me to teach secondary school.

Yes, that means TEENAGERS. You know, those strange, lanky creatures that one sees "hanging out" around shopping malls (strangely, during school-hours), squealing excitedly in unison into cellular telephones, and who are capable of rendering their parents apoplectic with the flick of a wrist and the exclamation, "What-EVERRRRRR..."

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Tuesday, March 15, 2011
Miracle.
A Japanese Self-Defense Forces officer smiles as he holds a four-month-old baby girl who was rescued along with her family members from their home in Ishimaki City...
This beautiful image of hope among the ruins is so touching, and yet, I can't help fearing for the future of this tiny girl. Radioactive gases are spreading, and this incredible civilization of people are suffering so terribly.
Please join me in donating any amount that you can possibly afford, to The Red Cross, and to Doctors Without Borders. These two groups are currently "on-the-ground" in Japan (AND New Zealand!! We have not forgotten you!!), doing everything they can to provide practical, immediate assistance to all those in need.
Even those of us who are, by the grace of God, far enough away from the disaster to be safe and well, can reach out and help people who are not as fortunate.
Please remember that "non-specific" donations are able to reach disaster victims most quickly, as they require less "processing time".
Thank you.
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Thursday, March 10, 2011
- Edith Wharton
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Tuesday, March 8, 2011
When It Hits the Fan...

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Monday, March 7, 2011
Tell me about it...
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Wednesday, January 26, 2011
Declaring War on Cancer!
Click the button for our dear friend Susan,
Warrior Princess Susan (aka "Whymommy") is not fighting alone.
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Friday, December 31, 2010
Fast away the old year passes...
Wishing you all the very
happiest of New Years!!
Much love (and warm fuzzies) from CGF xoxo
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Tuesday, December 28, 2010
The Third Day After Christmas.
Well, folks... it's official.
There's been a death confirmed here in our household, and it's a dirty situation, I'm afraid.
Yesterday, with the first batch of company having departed from this steaming heap my family and I call home, I settled in to some seriously heavy cleaning, before the second and third parties requiring High Entertainment arrived.
The kitchen required special attention, as you can imagine. Cupboards were swept out and reorganized, counters were wiped down, the oven was blasted with serious chemical warfare, the garbage was emptied, and all receptacles were thoroughly sterilized.
It was a Reformation, I tell you.
And, as with most efforts that are undertaken in this house, things looked a lot worse before they began to look better.
Whenever I clean like a demonically possessed whirling dervish, I actually DO have a strategy that I try to stick to: I start at the ceiling, and work my way down to the floor. Gravity is my friend, in this case (un-like the case of my developing facial jowls and droopy rear end. But I digress...)
Whatever filth that is swept, scraped, or blow-torched off of surfaces eventually lands on the floor, which is then vacuumed, and then duly scrubbed. In this way, I am fairly well assured of collapsing in exhaustion upon a relatively clean (albeit more than slightly damp) surface, once the ordeal is complete. This technique also puts me in a position to view the cats' feet, as they ick their way through the puddles, and then plop their dirty little botts down on a dry patch beside me.
All was going well, yesterday. So well, that the condition of the kitchen went from simply "horrible" to damn near "VILE". Crumbs and cobwebs were flying, not to mention smatterings of leftover currants and sugar sprinkles... All were duly swept "downwards".
And then, I climbed down off of my step stool, crunched over to the broom cupboard, and reached for my beloved and ancient vacuum cleaner. I plugged it into the kitchen outlet, but instead of the reassuring "SWOOSH" that usually greets my grateful ears, I heard... nothing.
I checked the power outlet, then the breaker switch. All in good order.
Panicking more than just a little, I cracked open my old friend's chest, so to speak, and began attempting emergency resuscitation: I cleaned the filter, and replaced the bag.
Still nothing.
No "heartbeat".
And definitely no "swoosh".
I then called in the paramedics, in the form of Sue down at the local VacMaster Centre. She rushed right over, as she always does.
But, sadly, this time, there was nothing she could do. She pronounced my beloved dead-on-arrival.
And, once she had recovered from the sight of the horror in my kitchen, she offered her deepest sympathy, in the form of a significant discount on a much newer, sleeker model.
My new Partner-In-Cleaning promises to be everything my old friend was, and MORE: never again will I have to make a late-night run to Sue's establishment, and pound on the door (having been locked-up only moments before) BEGGING for replacement bags. This baby's got serious cyclonic action, and a receptacle that requires nothing more than to be emptied into the trash after several months of use (or, more likely in our case, every week or so). It's even got a zippered "sleeping bag" type of sleeve that encases the hose, to protect my oh-so-delicate floors and the legs of various pieces of furniture (har-de-har... Well, at least it will no longer make that disgusting rrrrrrrriiiiiipppppp-ing noise every time I haul it around sharp corners).
Yes, there's been a death in the family, 'tis true. Our household is in serious disarray at the moment, but not for long. For tomorrow morning at nine o'clock, my shiny new friend will be ceremoniously installed, and the old corpse hauled away to the recycling depot.
I have to say:
This must be the only occasion upon which I've been truly happy to report that something in my life "really sucks".
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Sunday, December 26, 2010
The Aftermath.
In that case?
We've had one of the best Christmases ever.
Cheers, everyone!
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Friday, December 24, 2010
A Happy Christmas!

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For Christmas Eve

performed by The Elora Festival Singers
The Story of Silent Night, "The Song from Heaven"
as told by Lisa Granfield
Father Josef Mohr was born in 1792. He sang sacred music as a boy, became a priest, and was appointed to the Church of St. Nicola in Oberndorf, Austria.
Franz Xaver Bruger, born in 1787, studied to become a teacher and, in 1807, became the schoolmaster and organist in Arnsdorf, a village near Oberndorf. Father Mohr and Gruber became friends when the teacher traveled to play the organ at St. Nicola.
On the day before Christmas, 1818, the church organ was broken. Perhaps the constant damp from the nearby Salzach River had rusted parts of the instrument.
A more entertaining explanation involves hungry mice. Driven inside by the fierce wither cold, the tiny animals found the organ's leather bellows very tasty. Consequently, the mice chewed a hole that crippled the instrument.
Since unaccompanied singing was unpopular in those days, Father Mohr asked Gruber to compose music for the verses he'd written for that day. Within a few hours, Gruber matched notes to the words of the new song for voice and guitar that eventually became known as "Silent Night".
After the holiday, Karl Mauracher was called to repair the organ. It is believed that he took the new song home with him and shared it with musicians and singers he met. "Stille Nacht", however, became a forgotten title. The song was called "The Song From Heaven" and was said to be of "unknown origin".
During the mid-1800's, groups of strolling, family singers performed in the streets and often gave concerts. The talented Strasser family were such a group of entertainers. The four Strasser children performed "The Song From Heaven" whenever their glove-maker parents traveled to fairs to sell their goods. By 1832, the Strassers had taken the song to Leipzig and introduced it to German audiences.
In 1839, another singing family, the Rainers, took the song to the United States and performed it for delighted audiences. "The Song From Heaven" was soon included in prayer books and hymnals.
As the song's popularity grew, Father Mohr and Gruber were all but forgotten. Some people believed that "The Song From Heaven" had been written by Mozart, Beethoven, or Franz Joseph Haydn's brother, Johann Michael. Others thought it was a Tyrolean folk song.
In 1854, musical authorities in Berlin sent to Salzburg and asked if the Haydn manuscript was in St. Peter's Church. As it happened, Felix Gruber, Franz's youngest son, was a choirboy at the church. He told his father about the request.
Gruber had left St. Nicola in 1829 and was living near Salzburg in Hallein. He attempted to settle the debate by writing a document entitled "The Authentic Occasion for the Writing of the Christmas Song 'Silent Night, Holy Night'".
Thirty-six years after "Stille Nacht" was first performed in a cold village church, its worldwide audience finally learned the identities of its humble and gifted creators.
Father Mohr left St. Nicola in 1819. He died and was buried in Wagrain in December, 1848. His friend Gruber lived until 1863.
One of the most moving stories about the song took place during the horrors of World War I. On Christmas Eve, 1914, in the dark European trenches, the freezing men awaited the next attack by the enemy soldiers across no man's land. But there was no shooting. Only silence. Afraid to peer over the top of the trench, the British soldiers quietly sat and listened to the rising sound of men's voices singing.
When they dared to look across the battle-scarred terrain, the British saw the gleam of tiny lights, as the Germans lit candles on small Christmas trees in their trenches. "Stille Nacht" filled the air as the German soldiers observed the holy eve of peace.
In a desolate landscape far from home, the soldiers of both sides called a truce. They embraced, shared cigars, chocolate and sausages. On Christmas Day, they played soccer on the battlefield.
The unofficial truce lasted for days but, eventually, the men returned to the business at hand-- war-- for nearly four more years.
After World War I, the popularity of "Silent Night" continued to grow. In the 1920's and 30's, radio listeners heard the song performed by many singers, including Franz Gruber's own grandson who played it on Father Mohr's guitar.
Famous contralto, Madame Ernestine Schumann-Heink, sang "Stille Nacht" each Christmas Eve on the radio in what became a holiday tradition for families around the world. "Mother" Schumann-Heink also recorded it for play on phonographs. Translations enabled people everywhere to share the song.
The deteriorating original Church of St. Nicola was torn down around 1900. The small Stille Nacht Kapelle (Silent Night Chapel) was built in Oberndorf to commemorate Father Josef Mohr and Franz Xaver Gruber and, every Christmas Eve, a special service is held outside the chapel.
Whether it is heard in a show-covered Alpine village or under a blazing African sky, "Silent Night" invites us to reflect on the meaning of Christmas and to "sleep in heavenly peace".

This marvellous excerpt is from the children's book, "Silent Night: The Song from Heaven". It was written by Linda Granfield, and the illustrations are by Nelly and Ernest Hofer. I cannot recommend this wonderful book highly enough-- it should be a part of every child's Christmas book collection.
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Thursday, December 23, 2010
December 24
a poem by Frances/G. K. Chesterton
scored for a capella choir by Herbert Howells
and performed by Chanticleer
Here is the little door, lift up the latch, oh lift!
We need not wander more but enter with our gift;
Our gift of finest gold,
Gold that was never bought nor sold;
Myrrh to be strewn about his bed;
Incense in clouds about his head;
All for the Child who stirs not in his sleep.
But holy slumber holds with ass and sheep.
Bend low about his bed, for each he has a gift;
See how his eyes awake, lift up your hands, O lift!
For gold, he gives a keen-edged sword
(Defend with it Thy little Lord!),
For incense, smoke of battle red.
Myrrh for the honoured happy dead;
Gifts for his children terrible and sweet,
Touched by such tiny hands and
Oh such tiny feet.
This is a carol that is commonly performed for Epiphany, and is sung from the point of view of the Magi, who are approaching the infant Christ, born in a stable in Bethlehem. I find it to be positively mesmerising... the reverent anticipation of the Three Kings seeking the baby Jesus is so perfectly reflected in the soft, delicate opening of the piece. The Kings, who have travelled together for so long, seeking the infant Christ, sing in perfect unity as the discovery is made, and their gifts are presented. There is a dramatic juxtaposition between the purity and innocence of the tiny newborn child, and the future that they predict for him, which is foreshadowed in their offerings. As the tone of the poem changes in the second verse, composer Herbert Howells amplifies the melody both dynamically and harmonically. The choir sings in unison the ferocious line, "Defend with it Thy little lord!", only to be reduced once again to the realization of the humanity of the newborn Saviour, who, in spite of the awe-inspiring life they prophesised for him, is still just a wee babe, after all.
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Wednesday, December 22, 2010
December 23
Today, we change our focus from the Wise Men following the star to Bethlehem, and hear the Shepherds' description of their encounter with angels on Christmas Eve. This is another "modern" carol, but it is one that is being performed more and more, by choral ensembles world-wide. Although it is not a strictly "melodic" work, it creates a beautiful sound-picture of the Shepherds' experience: the music begins with several tiny voices, and builds in harmony and intensity until the listener can hear the choirs of angels, and imagine their heavenly light. And, once the angels have delivered their message and fade away into the night sky, so do the chorister's voices. I discovered this carol several years ago on an early recording of The Choir of St John's Church, Elora, and it is this performance that I offer you today, in the music player on the right.
Bob Chilcott is one of the most active composers and choral conductors in Britain today. He has been involved in choral music most of his life, and was once a chorister in The Choir of King’s College, Cambridge. He is quite well known for having sung the “Pie Jesu” on the renowned 1967 King’s recording of Faure’s Requiem, conducted by Sir David Willcocks. He returned to King’s as a Choral Scholar, and between 1985 and 1997 was a member of the British vocal group The King’s Singers. He has been a full-time composer since 1997.
Every year, King's College, Cambridge commissions a new carol for their choir to sing at the Festival of Nine Lessons and Carols. "The Shepherd's Carol" was written for, and performed at, the Millennium year's service. Below, I have included the video of this lovely performance.
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Tuesday, December 21, 2010
December 22
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Monday, December 20, 2010
December 21

performed by The Cambridge Singers
I wonder as I wander out under the sky,
How Jesus the Savior did come for to die,
For poor orn'ry people like you and like I,
I wonder as I wander, ... out under the sky;
When Mary birthed Jesus 'twas in a cow's stall,
With wise men and farmers and shepherds and all,
And high from God's heaven a star's light did fall,
And the promise of the ages, ... they then did recall;
If Jesus had wanted for any wee thing,
A star in the sky or a bird on the wing,
Or all of God's angels in heaven to sing,
He surely could've had it... 'cause he was the King.
" 'I Wonder As I Wander' grew out of three lines of music sung to me by a girl who called herself Annie Morgan. The Place was Murphy, North Carolina, and the time was July, 1933. The Morgan family, revivalists all, were about to be ejected by the police, having camped in the town square for some little time, cooking, washing, hanging their wash from the Confederate monument, and generally conducting themselves in such a way as to be considered a public nuisance. Preacher Morgan and his wife pled poverty; they had to hold one more meeting in order to buy enough gas to get out of town.
It was then that Annie Morgan came out-- a tousled, unwashed blonde, and very lovely. She sang the first three lines of the verse of 'I Wonder As I Wander'. At twenty-five cents a performance, I tried to get her to sing all the song. After eight tries, all of which are carefully recorded in my notes, I had only three lines of verse, a garbled fragment of melodic material-- and a magnificent idea. With the writing of additional verses and the development of of the original melodic material, 'I Wonder As I Wander' came into being. I sang it for five years in my concerts before it caught on. Since then it has been sung by soloists and choral groups, wherever the English language is spoken or sung."
"I Wonder As I Wander" was completed on October 4, 1933. Mr. Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina. It was originally published in Songs of the Hill Folk in 1934.
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Sunday, December 19, 2010
December 20
Lux,
calida gravis que pura velut aurum
et canunt angeli moliter
modo natum.
Light,
warm and heavy as pure gold
and the angels sing softly
to the new-born baby.
On Sunday afternoon, I had the great pleasure of being one of the members of the congregation for The Festival of Nine Lessons and Carols at St. John's Church in Elora, Ontario: the home of one of the foremost choral ensembles in North America. The music was breathtaking, as was the atmosphere of the beautiful church, which is nestled in some of the most sacred farm country in our part of the world. As we exited the church, we were greeted by the Rector, who was standing in the doorway. Behind him, outside, twilight was fading and snow was falling... It was the perfect end to a most perfect afternoon.
One of the most moving pieces of music that I heard during the service was Eric Whitacre's "Lux Arumque: Light and Gold". The sound was haunting... and the words brought tears to my eyes. Whitacre's genius is found in the structure of the chords that he uses in his compositions. His signature "Whitacre Chords," or pan-diatonic clusters are usually arranged in successive increasing or decreasing density. Whitacre achieves this growth and decay by splitting voices divisi: in one case up to 18 parts. He is not only a prolific composer, he is a ferociously busy conductor, lecturer and teacher, as well.
In 2009, Mr. Whitacre embarked on a mammoth project, involving this particular choral piece. Using computer technology, he organized a "Virtual Choir": 185 voices, beamed in from 12 different countries around the world. He conducted the singers online, combined their efforts and recorded the result in a spectacular video, which he then published on Youtube. Within two months, the video had over one million "hits". Not only did this ground-breaking idea expose a whole new audience to this genre of music, it brought together musicians from around the world who otherwise might never have had the opportunity to collaborate on a musical project.
Watch, listen, and enjoy:
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Saturday, December 18, 2010
December 19
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